Medium Format vs. Full-Frame DSLR Sensor Size. If all the DSLR cameras have almost the same shape, then everything is different with medium format ones, as each has a unique shape and weight. Hi guys, I've been out of the game for a few years now. Although there is an impressive lens line-up to boot, I read mixed comments about the Pentax glass. The shorter flange focal distance of a mirrorless would make an adapter solution to large format (Grafloc back) feasible, which is excluded for the Pentax 645Z with its 70.8 mm mirror box. Hasselblad has long been one of the top manufacturers of medium format cameras, and this series of videos compares medium format with full frame. Output sizes below 200 dpi yield blurred images whereas uprezing results in digital artifacts and washed out surfaces. http://blog.mingthein.com/2014/07/25/discussions-mt-x-lloyd-chambers-on-the-pentax-645z-and-nikon-d810/, Nikon D800E Versus Mamiya/Leaf Credo – Medium Format Rumors, Photo Essay: Cliff Jumper, Galle Fort, Sri Lanka, What If I Could Keep only One? For many years Medium Format DLSRs were separated from 35mm DSLR cameras by a huge gap in image quality and resolution (besides a price of course), and this seems to be always like this: twice larger medium format sensors without AA (blur) filter did not leave any chances for 35 mm cameras to match the resolution and image quality. Pentax 6×7 side. Digital capture offers several advantages with respect to film, most notably the dynamic range of about 12 stops for color images. Pro Talk: Does Size Matter? A couple of aspects became evident with the first test shots: the E version has a clear advantage in pixel acuity, moiré is not an issue (I am not shooting weddings and fashion), and the camera is very demanding on lenses; every optical flaw is revealed. Medium format lenses have a longer focal length than their DSLR equivalents. You can click on the relevant categories at the end of each post. I used a 4×5 field camera for years, along with a “backup” medium format camera for working in fast changing light, before making the switch to a 35mm format DSLR almost ten years ago. If you think of a medium-format camera’s performance in terms of a modern DSLR or mirrorless camera, you can surmise that a bigger sensor would mean more “megapixels” — in turn, these larger variants resolve more detail and color than their 35mm counterparts. Cory. I would realley like to know how you would like ” to descibe …the look” of a D810 compared to a phase one image when both printed with the appropriate ” adjustments”… using capture one conversion ( if possible) and is the purchase of a phase one ” significant enough” in terms of appearance? Such comments are triggered by the real-world decision-making problems featuring multiple conflicting objectives. DxOMark attributes almost the same marks for color depth (25.6 points for the Nikon, 26.5 for the IQ180), which looks strange given the results from the horse portrait (except if we were seeing a flaw in the 70-200 zoom lens rather than a difference in the sensor architecture). I took the Nikon, along with my 4×5 equipment, to Ladakh, Myanmar, and the USA. Dynamic range on a medium format camera is 14-stops higher. Ren and Helen Davis want to make sure his story isn’t lost to history. Scenes with a lot of detail could certainly benefit from the extra-large sensor size offered by medium format digital systems—but is the juice worth the squeeze? At this point in the evolution of digital camera technology, size really doesn’t matter as much as it used to. 50 MP Medium Format vs. 50 MP Full-Frame: Any Difference in IQ? As a shooter of digital (with Nikon D810 with zeiss lenses and Leica with M8.2 with Leica lenses) and film with Hasselblad 500 series, I frecuently find myself with the question: where do i put my money? Coming from a used Nikon F2, I soon switched to large-format, 4×5” view cameras. No, this camera will retain the perfect degree of mystery to shooters unaccustomed to medium format. Any of my keeper images qualify for a 60×80 cm (23”) fine art print, holding up 10″ viewing distance. Low dynamic range (blown highlights or closed shadows), narrow color gamut, and low spacial resolution made printing even at 17” pointless. Pentax 6×7 top. Hi Adam, today Ming Thein posted on a discussion with Lloyd Chambers on the D810 and the Pentax 645Z. Approve the Cookies This website uses cookies to improve your user experience. As such, its operation is a little less archaic than the ‘Cords listed above. Likewise, sensor types also vary from cropped to full frame to medium format. The argument against the touch screen is the use of a viewing loupe, an argument that may hold for filming but definitely not for still photography. You’d have to sink more money into Zeiss Otus lenses to make the best of it. Personally, even if I were offered a medium format digital system for free, I probably wouldn’t use it that much. If you think of a medium-format camera’s performance in terms of a modern DSLR or mirrorless camera, you can surmise that a bigger sensor would mean more “megapixels” — in turn, these larger variants resolve more detail and color than their 35mm counterparts. Required fields are marked *, All images copyright 2020 by Stephan Russenschuck, all rights reserved, Fine Art Travel and Landscape Photography. Heavy tweaking in Photoshop yields the results shown here. A brief overview of the different styles of medium format cameras, as well as some model suggestions for anyone who is looking to purchase their first one. But seeing the digital back manufacturers turn away from CCD to a Sony sensor with CMOS architecture, similar to the one in the D800E, I considered it high time to go for a test drive. In photography, medium format simply refers to a camera that has a larger sensor than a 35mm (24x36mm), or full frame DSLR camera. This medium format camera features a 40-megapixel CCD sensor that offers photographers with high resolutions of up to 7264×5440. Optically, though, there is nothing left to desire; the lens is sharp to the corners from around f4 and usable up to aperture 16 before diffraction sets in. Let’s wait another 2-3 years. So you get a little less depth of field, requiring the use of smaller apertures, which means longer exposures (which can be a problem in windy conditions, for example). DSLR Vs Medium Format - PhaseOne Vs Canon Part 1 is here: https://www.youtube.com/watch?v=r_n2N0RQJVM In Part 1 I show shooting with … Sometime ago a wild flicker user challenged me that any full frame SLR can do what a medium format (MF) film camera can do. Medium Format vs. DSLR in General Photography Talk. When used with one of Schneider LS D lenses it allows you to choose between the integral focal plane shutter and the leaf shutter, which can achieve flash sync speeds up to 1/1600 s. The Leaf Credo digital back is built like the proverbial tank, weighing 560 g. It is easy to mount and has a large (3.2”), bright, and high-resolution (1.15 MP) touch screen LCD (Nikon D800E: 3.2”, 0.921 MP). […] comparison is from a few years ago but is still interesting. In my opinion, we are already close to the end of the megapixel race. The downgrading of the CCD sensor stems from the performance limitations at high ISO, although I would be careful with ISO settings above 800 on the Nikon also, after which some aggressive in-camera noise reduction sets in. In this respect the D800E is much more demanding. When the Mamiya/Leaf combo delivers, there is a clear advantage stemming from the larger sensor real estate. The lens weighs only 450 g, which could be an advantage, but it also makes the combo unbalanced because of the heavy Credo back. Hello, I would like to subscribe for this website to obtain newest updates, therefore where can i do it please assist. The largest advantage is cost. It is ideal for users on a budget as it is one of the most affordable medium format digital cameras available in the market. Moreover, the largest apertures of my large-format lenses are between f5.6 and f9, which yields very little margin to the diffraction limit. jozef povazan. Similar resolutions one would say (40mpix vs 36mpix) and Nikon even pitch the d800 as a replacement for medium format. The Mamiya system retails at around $ 31 k without tax, while the Cambo adds another $ 5 k including tax, but without the lens. George Grant toiled in obscurity for nearly three decades as the first official photographer of the National Park Service. Here’s a list of the pros and cons of using a medium format digital system. In recent years, however, I have seen the classical photographic enlargements disappear (and with it my beloved Cibachrome polyester prints), Kodak on Chapter 11, film no more on stock at local stores, and Quickload (Fuji) and Readyload (Kodak) film sheets discontinued. Canon EOS 5D Mark III Digital Camera, Canon EF 16-35mm f/2.8L II, polarizer filter, ISO 100, f/11, 0.3 seconds. The medium format system is not made for action, and it has never claimed to be. Right: Mamiya/Leaf. The dynamic range on a medium format camera is 14-stops more than that of a DSLR! Here lies an advantage of the CMOS sensor; I had no such issue when mounting the D800E on my Linhof using the Photodiox adapter. Recently, Phase have converted to the Sony CMOS sensors themselves, so there is no reason per se, why there should be a different “look” (though they claim a true 16 bit workflow). The dials are almost DSLR like and thus self-explaining. Home > H6D-100c Medium Format DSLR Camera (Body Only) H6D-100c Medium Format DSLR Camera (Body Only) $32,995.00 Shipping: Free. With such a close run between the 60 MP Leaf Credo CCD and the Nikon/Sony 36 MP CMOS sensors I am convinced there lies more potential in the lenses. Until May 2012 I considered digital cameras, point-and-shoot as well as DSLR, as mere electronic notebooks. … The camera’s focus system can only be set for left, right, or center, within a very limited range, a far cry from the Nikon systems with its 55 selectable points. In the Credo image, finer detail is visible and it is freer of the digital sharpening halo that is operating so obviously on the image on the left; and which cannot be disabled even when shooting RAW. Not surprisingly, the Capture One software offers more tonal curves for the digital back than for the Nikon. Over the years, my equipment has included Linhof Technika and Technikardan Cameras and lenses from 27 to 150 mm, on 35 mm equivalent. The dynamic range of both sensors is about equal, with an edge for the Nikon, which also shows better shadow recovery, while the Credo 60 has more latitude and a smoother transition into the highlights. This is definitely not the best camera for amateur photographer. Stay up to date on all the latest photography gear! Field comparison: medium format VS a modern full frame DSLR and premium prime lens. Medium Format Mar 4, 2003 Hi all, How do the current crop of digital DSLR cams compare to medium format quality output. Here, full-frame DSLRs very much have an advantage over relatively new medium-format systems. Another type of medium format digital camera is one based on the design of a full-framed DSLR. medium format vs DSLR Why Phase One Systems are differently better than high end DSLR and even the rest of medium formats? This is most valuable in 4 color or greater magazine reproduction printing. Medium Format vs Full Frame Comparison. (© Ian Plant) I recently got a question from a reader: does it make sense for the aspiring landscape photographer to use a medium format camera system? With the advent of more affordable medium format camera systems like the Fuji GFX 50S and Pentax 645Z putting medium format into the hands of more photographers, whether or not digital medium format is truly ‘better’ than a full frame DSLR or mirrorless camera becomes an important question for those who may be torn between the two. No matter how great a camerais, they’ll only be so much appeal in it if the user doesn’t have the glass to help them achieve what they want. If I needed medium format quality for most of my work the last camera I’d buy is the 5DS/R. While medium format has been progressing in technology with the newer Phase One backs, the medium format world has not evolved anywhere near the meteoric rate that DSLR … The images shot are true 16-bit. This set of three is really too heavy to haul into the mountains. Medium Format digital vs DSLR. These days, large-format film cameras can be had on a shoestring and the savings can pay for a lot of film, development, and scanning. For professionals looking to get near perfect accuracy when it comes to color reproduction, a top rated medium format camera is capable of that. A few years back I picked up a D70 nikon and used it off and on for past several years. Medium format lenses have a longer focal length than their DSLR equivalents. I'm trying to learn … For me, as a scientific engineer, technical perfection is an important aspect. There is a better tonal separation in the horse’s fur and a smoother transition into the highlights, although the white spot is blown out due to the slightly lower dynamic range of the Credo. The first hiccup as regards the screen is that it cannot be switched off completely. And I’m not the only one who has come to this conclusion—I don’t personally know any pro nature photographer who uses medium format digital (I know there are a few medium format nature shooters out there, but I don’t personally know them). If used with taste, a variety of digital darkroom techniques, such as exposure blending, focus stacking, and image stitching can help to improve the image quality. Mainly because the Leaf Credo back can be mounted on the view camera, which would bring me back the joy of full tilt-shift functionality. Both cameras were shot in RAW at base ISO (50 for the Credo, 100 for the Nikon) and processed with the Capture One software from Phase One. The image quality of this camera has triggered shootouts with medium format systems such as the Leica S, Hasselblad H4D, and the Mamiya/Leaf combo. Shooting in portrait orientation, which holds for about 80% of my images in the 4×5 aspect ratio, you will find that the Mamiya simply isn’t designed for that, and it is physically very difficult to accomplish. Think about a full frame (in 35 mm standards) Foveon sensor with about 30 MP per layer. The Credo 60 MP digital back houses a 53.9×40.4 mm DALSA CCD sensor with 6-micron pixel size and a color depth of 16 bit. But also for the latter, I obtain more pleasing results from that software compared to Nikon’s genuine Capture NX2. But that’s not to say it’ll be familiar. Nikon D800E, Nikon 45 mm f2.8 PC-E, shot at ISO 100, 1/20 s, f8. But the perceived image quality is not only about spatial resolution; it is to a large extent related to tonality (color gamut and tonal separation) and micro-contrast (details in structures that are close together in luminance). 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