... Athenian audiences would have recognized the importance of the scene they were witnessing. Each play of the trilogy is a self-contained dramatic unit, although the endings of the first two plays lead naturally into the play that follows them. From this notion springs a wealth of expressions using the word blood. Eumenides - Resolution of Conflict in Aeschylus' Oresteia Essay. And did he not first of all in this house wreak death by treachery? Gender Roles. One of the key aspects of the story of the Oresteia is the notion of the bloodshed of a blood relative leading to retributive bloodshed. The work has extraordinary, sustained dramatic and poetic power. Spanning an elemental and violent family conflict, The Oresteia by Aeschylus is a trilogy containing the plays Agamemnon, The Libation Bearers, and The Eumenides. The Resolution of Conflict in Aeschylus' Oresteia Aeschylus, was a master dramatist - he liked to portray conflict between persons, human or divine, or between principles.1 His trilogy of plays, the Oresteia, develops many conflicts that must be resolved during the action of the Eumenides, the concluding play of the trilogy. I can feel the scourge's inward chill of pain, 160 cutting deep and heavy to bear. Today, the Oresteia continues to stimulate discussion among scholars and students across a wide range of issues – from traditional morality, religion and the nature of law, to changing notions of gender, generational conflict and the place of justice in solving socio-political crises. Oresteia,” AJP 85 (1964) 378–393; F. I. Zeitlin, “The Motif of the Corrupted Sacrifice in Aeschylus’ Oresteia,” TAPA 96 (1965) 463–508. The Greeks were a misogynistic culture, in which women were relegated to an inferior status in society. In Aeschylus’s trilogy, Oresteia, the tragic manifesto paints a bloody chain of murder, adultery, betrayal, and kinslaying, in which DIKE (justice) and the relation of women to social and family structure serve as central themes. The Oresteia is the only surviving example of a Greek tragic trilogy and thus has great importance in the history of drama. Throughout “The Oresteia”, Aeschylus uses a lot of naturalistic metaphors and symbols, such as solar and lunar cycles, night and day, storms, winds, fire, etc, to represent the vacillating nature of human reality (good and evil, birth and death, sorrow and happiness, etc). 1525 The flower of this man’s love and mine, Iphigeneia of the many tears— he dealt with her even as he has suffered now.° So let his speech in Death’s house be not loud.

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