This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Rear Window. Lisa says nothing but reacts in horror when the man attacks Miss Lonelyhearts who throws him out of her apartment. Lisa rings down the blinds … He began writing it early in 1930 and completed the manuscript in November of 1932. Watching Miss Lonelyhearts' first date with an actual man, Jeffries comment is "he looks a little young for her." Mulvey argues that female main character, Lisa Fremont, is constantly asked to be looked at through Hitchcocks close-ups and choice of costumes. Rear Window offers a powerful meditation on the ethical implications of private voyeurism in the public sphere. Voila! While the films’ undeniable focus is on a man named Thorwald who may or may not … Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Alfred Hitchcock’s 1954 masterpiece, Rear Window, tells the story of a man so desperately bored with his own life that he begins to watch his neighbors to pass the time. (Page 2 of 3) I always thought Rear Window was my favorite Hitchcock movie because it looks just like the Brooklyn where I grew up. The film draws thematic inspiration from Nathanael West's Miss Lonelyhearts, appropriating the novella's title to designate a key minor character and to herald Hitchcock's trenchant investigation of human suffering and "rear window ethics." A summary of Themes in Nathanael West's Miss Lonelyhearts. Finally, the Rear Window script is here for all you quotes spouting fans of the Jimmy Stewart and Grace Kelly movie. I know, I know, I still need to get the cast names in there and I'll be eternally tweaking it, so if you have any corrections, feel free to drop me a line. Miss Lonelyhearts is Nathanael West's second novel. Learn exactly what happened in this chapter, scene, or section of Miss Lonelyhearts and what it means. So here I am, making a connection I never sought to make, and turning an eye that flinches at the comparison, to do just that. (Ironically Stewart was five years older than Judith Evleyn, the actress who played Miss Lonleyhearts). Rear Window is so involved with the idea of the gaze, that it is essentially a film about the gaze. I never consciously thought of Thorwald and his wife as darker versions of my own parents. Published in 1933, it is an Expressionist black comedy set in New York City during the Great Depression.

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